Almashirt –

This is our best seller for a reason. Relaxed, tailored and ultra-comfortable, you’ll love the way you look in this durable, reliable classic 100% pre-shrunk cotton (heather gray color is 90% cotton/10% polyester, light heather gray is 98% cotton/2% polyester, heather black is 50% cotton/50% polyester) | Fabric Weight: 5.0 oz (mid-weight) Tip: Buying 2 products or more at the same time will save you quite a lot on shipping fees. You can gift it for mom dad papa mommy daddy mama boyfriend girlfriend grandpa grandma grandfather grandmother husband wife family teacher Its also casual enough to wear for working out shopping running jogging hiking biking or hanging out with friends Unique design personalized design for Valentines day St Patricks day Mothers day Fathers day Birthday More info 53 oz ? pre-shrunk cotton Double-needle stitched neckline bottom hem and sleeves Quarter turned Seven-eighths inch seamless collar Shoulder-to-shoulder taping

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The structure of Black Futures (the 500-plus-page tome arrives from One World this month) is intentionally loose. It reads partly as an art book, partly as a download of the smartest conversations taking place on social media—“a series of guideposts for current and future generations,” according to the introduction, “who may be curious about what our generation has been creating during a time defined by social, cultural, economic, and ecological revolution.” The book mingles wide-ranging essays and interviews, memes and works of art; a text on trans visibility from activist Raquel Willis abuts an ode to Black barbershops from photographer Antonio “Tone” Johnson; a family recipe for coconut bread by Pierre Serrao, cofounder of Ghetto Gastro, sits next to a history of Baltimore’s arabbers—merchants who sell fruits and vegetables from a horse-drawn cart—by the writer Lawrence Burney. (Meanwhile, a clever system of color coding conceived by designers Wael Morcos and Jon Key casts observations on social media in yellow, instructions in green, “prophetic prose and poetry” in black, and “incendiary essays and artworks” in white.) “I just hope that anyone who interacts with the book leaves with a broader sense of what Black people are up to,” Drew says. “In moments like these, when everyone’s like, Whoa, you guys have been hurt this whole time?, it’s like, Wow, you just didn’t dare to dream about us.”

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BLACK FUTURES BEGAN, like so many stories these days, with an exchange on Twitter. In early 2015, Jenna Wortham, 38—then mostly covering tech for the New York Times—had it in mind to create a zine chronicling contemporary Black culture. “There were communities of Black people interacting and engaging in new ways because of social media,” she says, “and we were creating our own signage and language.” She identified a kindred spirit in 30-year-old Kimberly Drew (also known, wryly, as @museummammy), who’d founded the popular Tumblr blog Black Contemporary Art in 2011. “Like any good millennial, I was reading Jenna’s writing,” Drew says, “and then she DM’ed me.” The pair met up in Brooklyn—Wortham is now based in Bedford-Stuyvesant, Drew in Bushwick—and over the next several years, their conversation spawned Black Futures, a kaleidoscopic investigation into what it means, as they state, to “be Black and alive right now.” As it happens, the zine never quite materialized. “I really love zines,” says Drew, “but I was also kind of like, What would it mean if we did something that was a little bit bigger?”

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Still, both are quick to acknowledge that Black Futures is far from the final word on modern Black thought. “There are really no limits,” Wortham says. “So don’t stop at our book; keep aggregating your own impressions of what we mean when we talk about Black futurity.” And what do they mean? As the title suggests, Black Futures isn’t only about right now—it also considers what happens next. “It’s an invitation to imagine,” Wortham says. “It’s an invitation for rest. It’s an invitation to get angry and find a place for that anger. People keep asking us, What do the Black futures hold? And I think it’s a question we all get to answer together.”

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Fashion field involves the best minds to carefully craft the design. The t-shirt industry is a very competitive field and involves many risks. The cost per t-shirt varies proportionally to the total quantity of t-shirts. We are manufacturing exceptional-quality t-shirts at a very competitive price. We use only the best DTG printers available to produce the finest-quality images possible that won’t wash out of the shirts. Custom orders are always welcome. We can customize all of our designs to your needs! Please feel free to contact us if you have any questions. We accept all major credit cards (Visa, Mastercard, American Express, Discover), PayPal, or prepayment by Check, Money Order, or Bank Wire. For schools, universities, and government organizations, we accept purchase orders and prepayment by check
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